Juniper Tree
From the Vintage CollectionÂ
Tones:Â Warm Tan, Pale Muted Rose, Deep Olive, Sand, Cream, Marigold
Why We Love It:Â This vintage landscape depicts a Juniper tree amidst a golden, vast field. It's easy to appreciate the timeless beauty of this print and looks breathtaking paired with any antique frame.
From The Artist:Â Determined to become an artist, even against his parents wishes, Henri-Joseph Harpignies was finally allowed to attend Jean Archards atelier in Paris at the age of 27. It was this training where he gained a sound constructive draughtsmanship, a marked feature of his landscape work. Additionally, he did decorative work for the Paris Opera and went on to teach many students who later became accomplished artists.
From the Vintage CollectionÂ
Tones:Â Warm Tan, Pale Muted Rose, Deep Olive, Sand, Cream, Marigold
Why We Love It:Â This vintage landscape depicts a Juniper tree amidst a golden, vast field. It's easy to appreciate the timeless beauty of this print and looks breathtaking paired with any antique frame.
From The Artist:Â Determined to become an artist, even against his parents wishes, Henri-Joseph Harpignies was finally allowed to attend Jean Archards atelier in Paris at the age of 27. It was this training where he gained a sound constructive draughtsmanship, a marked feature of his landscape work. Additionally, he did decorative work for the Paris Opera and went on to teach many students who later became accomplished artists.
Original: $16.00
-65%$16.00
$5.60Description
From the Vintage CollectionÂ
Tones:Â Warm Tan, Pale Muted Rose, Deep Olive, Sand, Cream, Marigold
Why We Love It:Â This vintage landscape depicts a Juniper tree amidst a golden, vast field. It's easy to appreciate the timeless beauty of this print and looks breathtaking paired with any antique frame.
From The Artist:Â Determined to become an artist, even against his parents wishes, Henri-Joseph Harpignies was finally allowed to attend Jean Archards atelier in Paris at the age of 27. It was this training where he gained a sound constructive draughtsmanship, a marked feature of his landscape work. Additionally, he did decorative work for the Paris Opera and went on to teach many students who later became accomplished artists.
